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Thirty Years Later: Title IX Still Controversial
by Matt Sedensky

Equal Opportunity Coaching
by Allison Steele

The New Female Athlete
by Margarita Bertsos

Overtraining and Undereating
by Falasten Abdeljabbar

PLaying Like a Girl
by Sasha Stumacher

Women's Tennis: The Marketing Model
by Daniel Mitha

Who Gets the Ball?
by Anne-Marie Harold

  Selling Skin
by Suzanne Rozdeba

SlamJam and the Future
by Mike Gorman

Playing Out Identity
by Maya Jex




Selling Skin
Part 2: The "Average Woman"= "White Femininity"


    Anna Kournikova,
off the court

Sports marketers like to talk about what they call the "average woman," a homogenous, all-rolled-into-one representative of every race, class, and physical appearance of American women.

They won't define exactly who she is. But the Williams sisters, who bring a whole new layer of complexity to the image of the woman athlete, are not "average women."

"Their image now is a bit too tough," said Jim Spence, the president of Sports Television International, when asked about the response of television viewers to Venus and Serena Williams. "It's not conducive to a really successful viewers' response. I don't think many people feel comfortable with them." Spence is also a former senior vice president of ABC Sports.

Linda Steiner, who teaches a course called, "Women, Minorities and the Media" at Rutgers University, agreed. The Williams sisters, she said, "send out a complicated message."

"I do think that it has been a particular problem for women of color to establish themselves as credible athletes because advertisers are still sticking to very conventional notions of beauty," Steiner added. "They want an athlete, but they don't want an athlete who is not perceived as pretty."

So on came the Avon ads. Trying to overshadow the stereotypical portrayals of the Williams sisters, marketers have clearly endeavored to make the public feel comfortable with them. Their most recent efforts have appeared in women's magazines such as Elle and Self.

Serena poses fetchingly in a long, cream-colored silk gown, while Venus stands behind her, arms wrapped around her sister. Venus wears a similar, spaghetti-strapped gown. Both sisters' faces are turned to the camera to reveal plaited hair, careful makeup jobs and elegant smiles.

"It's a big issue that they're getting these opportunities," said Wendy Hilliard, former president of the Women's Sports Foundation in New York. "To be honest with you, black athletes haven't always been able to do this." Hilliard, who is an African-American and former gymnast, said the idea that Avon, a company with such a wide reach, "is using the Williams sisters as their representatives is a breakthrough." She added, "We [African-American women] would of course like more, but we're happy that they have been able to break through."
"Their [Venus and Serena's] image is a bit too tough"

Then Reebok released a Venus commercial on April 5, which shows her doing anything but playing tennis. There's a 30-second montage of Miami Beach scenes with the song, "Where Do You See My Venus?" playing in the background, a rendition of the old theme song for the television program, "Bridget."

In one scene, Venus idles by a villa pool. In the next scene, she strums an acoustic guitar (she really does play guitar), surrounded by men wearing black berets. And in the final scene, she runs through a garden kicking a soccer ball in a white evening gown with matching gloves and beehived hair. For the finale, she lifts her head and smiles a brilliant smile, and for a moment you think she's trying to impersonate Diana Ross.

The ad ends with the phrase, "Defy Convention," part of Reebok's new campaign.

To the casual viewer, it's not clear after the ad if the word should be "defy" or "define." Maybe the ambiguity is deliberate for Venus, who may have been set up to defy the conventional approach to marketing black athletes, while at the same time, giving marketers a version of the soft femininity they think appeals best to audiences.

"People found it appealing to see a softer image of her," said John Wardley, Reebok's vice president of brand communications. "With Venus, people think tennis, performance. The obvious thing to do was to put on her on a tennis court and show her being aggressive. They don't think of the Venus that we have cast, her happy, glamorous style. We defy the convention of Venus."

Wardley, though, disagreed that the ad was about her race or her femininity. It was about "Venus's sense of fashion" and her everyday life, he said, not about her being a black woman. "It wasn't us saying, 'Venus happens to be a black woman, let's create a juxtaposition with her in that role,'" he said. "I think people just picked up cues on that."

 



                              NEXT: Marketing Against Masculinity >>

 




PAGE 1:
Muscle Mania >>

PAGE 2:
Average= White Femininity

PAGE 3:
Marketing Against Masculinity >>

PAGE 4:
We're In This Together, Sister >>


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