Dennis Lim
Dennis Lim writes about film and popular culture for various publications including The New York Times and the Los Angeles Times. He is currently Editorial Director at the Museum of the Moving Image and was formerly the film editor of The Village Voice. His work has also appeared in The Believer, The Oxford American, Blender, Spin, Espous, Indiewire, New York Daily News, The Independent on Sunday, The Guardian, and the film quarterly Cinema Scope, where he is a contributing editor. A member of the National Society of Film Critics and the editor of The Village Voice Film Guide (2006), he is working on a biography of the filmmaker David Lynch for John Wiley & Sons.
Byline
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New Faces Coming Sharply Into Focus
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Nine More Years On, and Still Talking
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All the Dreaminess of Reality
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Movies That Spill Beyond the Screen
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Building a Movie Language in Layers
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Disaster Relief
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Acute Cinephilia Seizes Berlin
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A Director Continues His Quest
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Grace Notes, Far From Hollywood
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Pasolini's legacy: a sprawl of brutality
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Summoning Halcyon Days of Failed Ideals
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Raising Eyebrows With Big Roles
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A Farewell to Celluloid With a Tribute
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Time Has Been Kind to ‘Heaven’s Gate’
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Sleepwalking in Fantasy Worlds Like This One
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Eye of the Tiger
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'Velvet Goldmine,' 'Mildred Pierce' capture director's interests
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Don’t Forget: He Acts, Too
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Don’t-Miss Movies You Probably Missed
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A Second Look: Robert Kramer's 'Milestones,' 'Ice'
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Satellites of Love
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Ken Russell, Director Fond of Provocation, Dies at 84
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What Do Courtesans Do by Day?
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Battered Souls, Seeking Salvation in Each Other
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Sporting Big Feet and a Heart to Match
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Give Young Boys in Morocco a Camera
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Romance and Reflection, Hand in Hand
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A Heartthrob Finds His Tough-Guy Side
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Smoking a Cigarette, Making a Film
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Chances Are Good for a Tangent
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Choosing Cinematheque Over Cineplex
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A Virus Movie Determined to Get Real
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Finding Poetry in a Couple’s Pain
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Creating an Adolescence for the Ages
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When Life Throws Those Curveballs
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Pursuing Imperfection in Malick’s Eden
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Danish Director Barred From Festival After Making Hitler Jokes
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Brad Pitt Discusses ‘The Tree of Life’
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Gus Van Sant on Young Love and Young Death
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Lip-Syncing the Realities of a Tragic Life
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Machine Age Poet, Born in Revolution, Stifled Under Stalin
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Finding an Original Heroine
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‘Mildred Pierce’: A Mother’s House of Love and Hurt
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O Suburbia, With a Touch of the Cosmic
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Somber Themes Dominate Berlinale
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An Indie Gumshoe in Oregon’s Gloom
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Dirty Dancing
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Restricted but Not Deterred
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Mortification Man
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Up in the Air
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The Worst Ideas of the Decade: The World-is-flat movies
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The Worst Ideas of the Decade: World-is-flat movies
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Citizen Welles as Myth in the Making
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Citizen Welles as Myth in the Making
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Taking a Man, Then Removing the Myth
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Taking a Man, Then Removing his Myth
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Fight Club' Fight Goes On
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Fight Club' Fight Goes On
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Eternal Role: A-List Character Actor
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Eternal Role: A-List Character Actor
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Quentin Tarantino
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Quentin Tarantino
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On the Offensive
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On the Offensive
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Polanski's Visions of Victimhood
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Safeguarding a Japanese Master’s Place in Film
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French School as Democracy and Stage
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For Michelle Williams, It’s All Personal
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Wars Past and Present, Rockers Evergreen
