Student & Alumni Outside Clips

A journalism program located in the publishing capital of the world should be more than a teaching institute. It should be a publisher. Welcome to the Institute’s publishing platform. Here the Institute acts as both public-interest publisher and presenter of work in different media by our students, faculty and alumni. In part, it is our laboratory, the place where we teach journalism by doing journalism and offer it to readers, listeners, viewers, and interactive users. Teaching requires one kind of audience, publishing quite another. This is where the two meet. The emphasis is on quality — work that is accurate and compelling, innovative and classic. We hope you enjoy it.

 
The Forward
August 31st, 2022
How a Jewish folk song made it into a chart-topping rap banger
Tani Levitt
Magazine and Digital Storytelling 2022
High Country News
August 30th, 2022
Indigenous Farmers Reclaim Time-Honored Techniques
Lyric Aquino
SHERP 2022
People
August 24th, 2022
Katherine Heigl Launches a Dog Food Line: ‘As Much Healthy Healing Nutrition as Possible’
Zoey Lyttle
Magazine & Digital Storytelling 2022
The new republic publication logo
August 22nd, 2022
Can the American Mall Survive?
Jillian Steinhauer
Cultural Reporting and Criticism 2011
Inverse
August 18th, 2022
Wastewater Can Track Viruses Like COVID-19 — Can it do the Same for Superbugs?
Allison Parshall
SHERP 2022
Saigoneer
August 18th, 2022
OHQUAO Lifts Young Designers to the Forefront of Vietnam’s Creative Presence
Garrett MacLean
American Journalism Online 2023
August 18th, 2022
Sleeping with wolves: a suburban adventure
Meryl Phair
Magazine & Digital Storytelling 2022
Forign policy digital logo
August 15th, 2022
Argentina’s Economic Crisis Never Went Away
Anusha Rathi
Undergraduate Journalism 2023
Podcast: Women in Labour
August 15th, 2022
Women in Labour
Christina MacGillvray
American Journalism Online 2023
Sierra
August 13th, 2022
Wolves Have Personalities That Impact Their Ecosystem
Tatum McConnell
SHERP 2022
APM Reports
August 9th, 2022
No Excuses
D.J. Cashmere
Literary Reportage 2019
The new republic publication logo
August 9th, 2022
CPAC’s Four-Day Sermon of Unrelenting Fear Has Set Trumpism on a New Path
Laura Jedeed
Literary Reportage 2023
Modern Farmer logo updated 2023
August 8th, 2022
Farmers’ Battle Against, and Now For, Milkweed
Jennifer Taylor
American Journalism Online 2023
Marie Claire
August 2nd, 2022
Little Shop of Horrors
Meghan Gunn
Literary Reportage 2021
NPR
July 29th, 2022
Few Black men become school psychologists. Here’s why that matters
Pooja Salhotra
Literary Reportage 2022
Forign policy digital logo
July 29th, 2022
The International Monetary Fund: Holy Grail or Poisoned Chalice?
Anusha Rathi
Undergraduate Journalism 2023
The Cut
July 28th, 2022
‘I Want to Do This for Someone Else’ Three women on carrying pregnancies after New York legalized paid surrogacy last year.
Tessa Somberg
Literary Reportage 2022
The New York Times
July 26th, 2022
A Language Changed
Amanda Morris
Undergraduate Journalism
Los Angeles Magazine
July 20th, 2022
For Skate Pro Elliot Sloan, the X Games Literally Come Home
Tani Levitt
Magazine and Digital Storytelling 2022
The Forward
July 20th, 2022
Who serves the best kosher pizza in NYC? We found out
Tani Levitt
Magazine and Digital Storytelling 2022
People's World
July 19th, 2022
Abuse by Wellpath LLC healthcare in Pennsylvania prisons spurs lawsuits
Dawn Heinbach
American Journalism Online 2023
Forign policy digital logo
July 8th, 2022
Why South Africa Is in the Dark, Again
Anusha Rathi
Undergraduate Journalism 2023
Los Angeles Times
July 7th, 2022
In the ’90s, a new breed of rock stars organized for abortion rights. Could that happen today?
Meredith Blake
Cultural Reporting and Criticism 2010
June 30th, 2022
“We Should Side with Democracy:” Why the War in Ukraine is Existential for Baltic Journalists
Karolis Vysniauskas
Studio 20 2022