Arthur L. Carter Journalism Institute at New York University

Whether printed on glossy paper or lovingly laid out on-line, magazines continue to offer the best examples of in-depth reporting, stylish writing and meticulously edited stories. NYU's magazine program is premised on the belief that mastering the traditional skills required to produce great journalism will remain essential in a constantly evolving media culture. We offer a wealth of reporting and writing classes dealing with subjects ranging from food and fashion to politics and sports. The program enthusiastically embraces new technologies, with an emphasis on visual story-telling through video and photography.

Many of the greatest magazine writers have been generalists (A.J. Liebling writing about everything from boxing to press criticism or Calvin Trillin describing his obsession with barbecue as well as covering the civil rights movement.) That is why the magazine program is designed for students interested in a wide array of topics. In our first-semester Reporting and Writing seminar, students learn about New York's glamorous and gritty worlds: covering Fashion Night Out, writing about criminal courts and reporting on the city’s ever-changing neighborhoods, from immigrant sub-cultures to raucous night life.

Magazine students try their hands at every type of journalism – deadline driven hard news stories, profiles, in-depth features, personal essays, opinion articles and reader-service pieces.

Manhattan is the magazine capital of the country, and that brings obvious benefits to NYU graduate students that are difficult to replicate anywhere else. Our career development staff helps match students with top-notch editorial internships. Writers and editors from publications such as The New York Times, New York Magazine, GQ and Vanity Fair are often guest lecturers. In recent years, NYU students – while studying in the magazine program – have published stories in the on-line or print editions of The New Yorker, New York Magazine, Elle, Wired, ESPN  Magazine, Marie-Claire, Field & Stream, Newsday and the New York Daily News.

NYU’s Arthur L. Carter Journalism Institute has  partnered with The New York Times to publish the on-line site, The Local East Village, covering 100 blocks in our neighborhood. Magazine students are encouraged to take a class devoted solely to reporting, blogging, taking photos and making videos for this exciting new site.

The magazine program has incorporated seminars in photography and videography as part of the required reporting courses. Magazine students can take elective classes in radio, documentary film-making and new media at NYU’s Arthur L. Carter Journalism Institute.

No one can predict the shape of journalism in 20 years, but important journalistic qualities will endure. The magazine program remains passionately committed to teaching our students to become creative, quirky, informative and entertaining writers,  and curious, thorough and insightful reporters, a combination of skills that will always be in demand.

APPLICATION DEADLINES

Applications are due by January 4th for students seeking to enroll the following September. Late applications will be considered if space is available.

Magazine Bylines

Faculty

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    Robert S. Boynton
    Robert S. Boynton is the director of NYU's Literary Reportage concentration. He was graduated with honors in philosophy and religion from Haverford College, and received an MA in political science from Yale University.

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    Ted Conover
    Ted Conover is the author of five books, most recently The Routes of Man, about roads, and Newjack: Guarding Sing Sing, an account of his ten months spent working as a corrections officer at New York's Sing Sing Prison.

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    Lisa DePaulo
    Lisa DePaulo, a correspondent for GQ Magazine and a contributing writer at Elle, is an award-winning magazine journalist with three decades of experience.  Her profiles for GQ have included memorable exclusives, such as a story on the soldiers who guarded...

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    Jeff Giles
    Jeff Giles is the Deputy Managing Editor of Entertainment Weekly, where he oversees movies and books coverage. Prior to EW, he spent more than a decade as an arts writer and editor at Newsweek, where he profiled Kate Winslet, Julia...

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    Meryl Gordon
    Meryl Gordon is the Director of Magazine Writing at the Arthur L. Carter Journalism Institute. She is the author of Mrs. Astor Regrets: The Hidden Betrayals of a Family Beyond Reproach, published in December 2008 by Houghton Mifflin Harcourt, and...

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    Brooke Kroeger
    Brooke Kroeger directs Global and Joint Program Studies and is the faculty liaison for The Local East Village, the collaborative community news and information site of NYU Journalism and the New York Times.

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    Pamela Newkirk
    Pamela Newkirk is the author of Within the Veil: Black Journalists, White Media, (New York University Press, 2000), which was awarded the National Press Club Award for Media Criticism.

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    Michael Norman
    Michael Norman, is the co-author of TEARS IN THE DARKNESS: The Story of the Bataan Death March and Its Aftermath (2009), a work of narrative non-fiction that was on the New York Times bestseller list for eight weeks and was...

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    Mary W. Quigley
    Mary W. Quigley is a journalist who writes about adult children as well as women and work issues. Her blog, www.mothering21.com, tackles parenting emerging adults and beyond.  Her most recent book is Going Back to Work: A Survival Guide (St.

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    Mitchell Stephens
    Mitchell Stephens is the author of A History of News, an extended history of journalism that has been translated into four languages and was a New York Times "Notable Book of the Year." His latest book, the rise of the...

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    Carol Sternhell
    Carol Sternhell writes about feminism, literature, and motherhood. Her literary criticism and essays on feminist scholarship have appeared in The Village Voice, The Nation, The New York Times Book Review, Ms., and The Women's Review of Books.

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    Lawrence Weschler
    Lawrence Weschler, a graduate of Cowell College of the University of California, Santa Cruz, has been, since the early '80s, a staff writer for The New Yorker, where his work has shuttled between political tragedies and cultural comedies.