Published Work

Featured Stories

Paris review

My Friend Ellis

The Paris Review | Feb. 27, 2024

Geoffrey Mak

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New England Review

Portrait of the Technocrat as a Stanford Man

New England Review | Nonfiction from NER 44.1 (2023)

Shaan Sachdev

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The New Yorker

My Unlikely Connection to Steely Dan

The New Yorker | Oct. 12, 2022

Chelsea Leu

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Slate logo

What Was Gay?

Slate | May 12, 2015

J. Bryan Lowder

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Rumpus
October 8th, 2024
Please Please Please: Casey McQuiston’s The Pairing
Angelina Mazza
Cultural Reporting and Criticism 2024
Hyperallergic
September 12th, 2024
A Brooklyn Neighborhood Fights for Its Future in a New Documentary
Kathy Ou
Cultural Reporting and Criticism 2024
McSweeneys
August 9th, 2024
Susan Sontag’s “Notes on (Summer) Camp,”
Michelle Cohn
Cultural Reporting and Criticism 2024
The Daily Beast
July 14th, 2024
Jane Fonda Pays Tribute to Fellow Fitness Guru Richard Simmons
Lily Mae Lazarus
Cultural Reporting & Criticism 2023
The Creative Independent
April 25th, 2024
Interview with Lizzy McAlpine
Angelina Mazza
Cultural Reporting and Criticism 2024
Huck mag
March 7th, 2024
The Untold Lives of Mature OnlyFans Performers
Arielle Domb
CRC 2023
The Atlantic
January 31st, 2024
Risking Their Lives to Ski While They Can
Talia Barrington
Cultural Reporting & Criticism 2023
The face logo
January 10th, 2024
Inside Sushi Park, LA’s most discreet celeb hangout
Dalya Benor
Cultural Reporting & Criticism 2023
Cosmopolitan logo
November 14th, 2023
The Satanic Abortion Clinic That’s Pissed Off Pretty Much Everyone…and Might Beat the Bans Anyway
Arielle Domb
CRC 2023
Logo for Brooklyn Magazine publication outlet
October 30th, 2023
Taxidermy and Drag Culture Collide at Wunderkammer
Arielle Domb
CRC 2023
The New York Times
July 8th, 2023
How a Taxidermist Spends Sundays
Arielle Domb
CRC 2023
The New Yorker
April 26th, 2023
India’s Quest to Build the World’s Largest Solar Farms
Meera Subramanian
Cultural Reporting and Criticism 2004
Los Angeles Review of Books
April 26th, 2023
Is Drawing Connections Enough?: On Brian Dillon’s “Affinities”
Alana Pockros
Cultural Reporting and Criticism 2021
Slate Publication Logo
April 19th, 2023
The Once Unthinkable Revolution Coming to Figure Skating
Talia Barrington
Cultural Reporting & Criticism 2023
Artforum
April 11th, 2023
Last Act: Every Ocean Hughes’s art of dying
Rennie McDougall
Cultural Reporting and Criticism 2017
Rolling Stone
April 10th, 2023
They’re Selling Nudes of Imaginary Women on Reddit — and It’s Working
EJ Dickson
Cultural Reporting and Criticism 2013
The New York Times
April 7th, 2023
A Psychedelics Pioneer Takes the Ultimate Trip
David Marchese
Cultural Reporting and Criticism 2005
Harper's Bazaar
March 28th, 2023
Can Clothes Be “Extremely Offline”?
Mikaela Dery
Cultural Reporting and Criticism 2020
The Atlantic
March 17th, 2023
You Can’t Define Woke
Thomas Chatterton Williams
Cultural Reporting and Criticism 2006
theworld.org logo
March 17th, 2023
Art Historians Debate Identity of Iconic Mariupol Painter
Melissa Rodman
Cultural Reporting & Criticism 2022
The New York Times
March 14th, 2023
The Subversive Wisdom of ‘Old Wives’ Tales’
Hillary Brenhouse
Cultural Reporting and Criticism Alumna
The Atlantic
March 14th, 2023
The Failed Promise of Having It All
Apoorva Tadepalli
Cultural Reporting and Criticism 2017
The new republic publication logo
March 10th, 2023
The Tyranny of the Clock
Melissa Rodman
Cultural Reporting & Criticism 2022
The new republic publication logo
March 1st, 2023
“I Don’t Find Her So Very Outspoken”: How Zadie Smith Took On the Wife of Bath
Melissa Rodman
Cultural Reporting & Criticism 2022