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Talia Barrington
Cultural Reporting & Criticism 2023
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The Satanic Abortion Clinic That’s Pissed Off Pretty Much Everyone…and Might Beat the Bans Anyway
Arielle Domb
CRC 2023
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Taxidermy and Drag Culture Collide at Wunderkammer
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CRC 2023
The New York Times
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How a Taxidermist Spends Sundays
Arielle Domb
CRC 2023
The New Yorker
April 26th, 2023
India’s Quest to Build the World’s Largest Solar Farms
Meera Subramanian
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Los Angeles Review of Books
April 26th, 2023
Is Drawing Connections Enough?: On Brian Dillon’s “Affinities”
Alana Pockros
Cultural Reporting and Criticism 2021
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April 19th, 2023
The Once Unthinkable Revolution Coming to Figure Skating
Talia Barrington
Cultural Reporting & Criticism 2023
Artforum
April 11th, 2023
Last Act: Every Ocean Hughes’s art of dying
Rennie McDougall
Cultural Reporting and Criticism 2017
Rolling Stone
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They’re Selling Nudes of Imaginary Women on Reddit — and It’s Working
EJ Dickson
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The New York Times
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A Psychedelics Pioneer Takes the Ultimate Trip
David Marchese
Cultural Reporting and Criticism 2005
Harper's Bazaar
March 28th, 2023
Can Clothes Be “Extremely Offline”?
Mikaela Dery
Cultural Reporting and Criticism 2020
The Atlantic
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You Can’t Define Woke
Thomas Chatterton Williams
Cultural Reporting and Criticism 2006
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March 17th, 2023
Art Historians Debate Identity of Iconic Mariupol Painter
Melissa Rodman
Cultural Reporting & Criticism 2022
The New York Times
March 14th, 2023
The Subversive Wisdom of ‘Old Wives’ Tales’
Hillary Brenhouse
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The Atlantic
March 14th, 2023
The Failed Promise of Having It All
Apoorva Tadepalli
Cultural Reporting and Criticism 2017
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March 10th, 2023
The Tyranny of the Clock
Melissa Rodman
Cultural Reporting & Criticism 2022
The new republic publication logo
March 1st, 2023
“I Don’t Find Her So Very Outspoken”: How Zadie Smith Took On the Wife of Bath
Melissa Rodman
Cultural Reporting & Criticism 2022
The New York Times
February 14th, 2023
When a Visit to the Museum Becomes an Ethical Dilemma
Charly Wilder
Cultural Reporting and Criticism 2009
Interview Magazine
February 9th, 2023
How the Artist Larry Stanton Archived a Generation Lost to AIDS
Rennie McDougall
Cultural Reporting and Criticism 2017
The Atlantic
February 1st, 2023
Not Every Atrocity Is About White Supremacy
Thomas Chatterton Williams
Cultural Reporting and Criticism 2006
The New York Times
January 27th, 2023
Mia Hansen-Love and the Hazy Line Where Real Life Ends and Art Begins
Natalia Winkelman
Cultural Reporting and Criticism 2018
NBC News
January 7th, 2023
‘M3GAN’ does what it needs to as a horror film — but gets one thing wrong
Jason Bailey
Cultural Reporting and Criticism 2011
The Nation
December 13th, 2022
Unsettling Tensions: Nell Zink’s California
Alana Pockros
Cultural Reporting and Criticism 2021