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Paris review

My Friend Ellis

The Paris Review | Feb. 27, 2024

Geoffrey Mak

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New England Review

Portrait of the Technocrat as a Stanford Man

New England Review | Nonfiction from NER 44.1 (2023)

Shaan Sachdev

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The New Yorker

My Unlikely Connection to Steely Dan

The New Yorker | Oct. 12, 2022

Chelsea Leu

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Slate logo

What Was Gay?

Slate | May 12, 2015

J. Bryan Lowder

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Hyperallergic
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Wasted Wonder: Picturing Science, but Not Explaining It
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The Tyee
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Pictures of Gentle Revolution at Vancouver’s Latin America Film Fest
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Flavorwire
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Edgar Wright’s “The World’s End”: Funny, Rowdy, and — gasp — mature
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The New York Times
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Would a Gay Man Be Welcomed Home in Montana?
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Slate Publication Logo
August 21st, 2013
Can Good Dads Make for Good TV?
Willa Paskin
Cultural Reporting and Criticism 2005
The New Yorker
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Who Doesn’t Love Sunny the Dog?
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Cinema Scope
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Some Kind of Monster: True/False 2013
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Slate Publication Logo
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Fox Sports 1 Is Not Yet Fully Jockularious
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Guernica
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Chen Hooft van Huysduynen: Gender on the Road
Chen Hooft Van Huysduynen
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Slate Publication Logo
August 13th, 2013
Close Your Open-Concept Kitchen
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Salon
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How “Bridesmaids” Ruined the Female Sex Comedy
EJ Dickson
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Salon
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White music fans are afraid of difference
Katie Ryder
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The Paris Review
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Hollywood Indian
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The New Yorker
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Designing “Lolita”
Rachel Arons
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Los Angeles Review of Books
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Katie Ryder on “Speedboat”
Katie Ryder
Cultural Reporting and Criticism 2012
Salon
July 26th, 2013
Paul Schreiber: “I’m the Most Hated Guy on Twitter Right Now”
EJ Dickson
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Hyperallergic
July 25th, 2013
Two British Painters Use Style as Substance
Chloe Pantazi
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Salon
July 25th, 2013
“She’s a survivor”
EJ Dickson
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Hyperallergic
July 24th, 2013
Trying to Make Galleries Relevant, One JPEG at a Time
Laura Mallonee
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July 22nd, 2013
Do We Still Need to Defend Outsider Art?
Jillian Steinhauer
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The New York Times
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Weekend Box Office Reflects a Season of Big-Budget Stumbles
Brooks Barnes
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